Refreshingly unrealistic
Accept ’Rush’ as the fairy tale it is
More fable than film, there is no earthly reason why “August Rush” should work. But it does.
“August Rush” is about a love triangle. Twelve years ago, on a rooftop overlooking New York City’s Washington Square Park, Louis Connelly (Jonathan Rhys Meyers), a charismatic young Irish guitarist, and Lyla Novacek (Keri Russell), a sheltered cellist, shared a magical evening beneath a full moon.
But their romance was torn apart before it had a chance to begin, leaving, in its wake, two destitute young people who gave up on their music and an orphan child, the only hint of their enchanted union, who Lyla is led to believe died stillborn in a car accident.
Now, years later, the child they don’t even know exists is performing on the streets of Manhattan, cared for by the mysterious Wizard (Robin Williams) who dubs the boy August Rush (Freddie Highmore). A musical prodigy who can hear music in the random, dissonant sounds of everyday life, August is convinced he can use his remarkable musical talent to reunite himself with the parents he has never known.
Preposterous from beginning to end, for “August Rush” to work, you have to accept it for what it is — a fairy tale wrapped in contemporary clothing. Do not try to apply the laws of logic and realism to this film or you will only come away frustrated. “August Rush” is an enchanted fable, and only by accepting it on those terms will it be successful.
Director Kirsten Sheridan (the daughter of Jim Sheridan, director of “In America,” “In the Name of the Father” and “My Left Foot”) knows the lofty limitations of her story and, instead of hesitating for even a moment, runs full-speed ahead with her outrageous concept. As much a music video as a movie, Sheridan understands that music is pure, undistilled emotion and will win over her audience despite whatever reservations it might bring to the theater.
Meyers (TV’s “The Tudors”), who has been enjoying well-deserved success of late, is wonderful as Louis. Captivating Russell, who delighted audiences in summer’s “Waitress” continues to charm. Terrence Howard, always compelling, plays a kindhearted child-services officer trying to keep August and other lost boys like him safe.
And Highmore, best known for his role as the melancholy brother in “Finding Neverland,” continues to be the cutest kid working in film. If “August Rush” fails at all, it is in the choice to cast Robin Williams as Wizard. Whenever Williams appears on-screen, the film’s gears seize up. A walking parody, Williams is a liability for the film, not an asset.
Reminiscent of 1995’s “Mr. Holland’s Opus,” “August Rush” is unapologetically supercharged with hope and optimism. The film doesn’t have a drop of cynicism in it.
No, fairy tales do not reflect reality. But then, that is exactly why we so desperately need them.
details
August Rush
Cast: Jonathan Rhys Meyers, Keri Russell, Robin Williams, Freddie Highmore
Director: Kirsten Sheridan
Playing at: Cinemark, Chapel Hills, Tinseltown
Rated: PG, for some thematic elements, mild violence and language
Running time: 1 hour, 40 minutes
B
