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REVIEW: 'Watchmen' packs sexy punch while holding nothing back
Comments 0 | Recommend 0Watchmen" is
astonishing. It is an instant classic, a lusty, no-holds-barred, laser-precision
adaptation that throws all caution to the wind, embracing both slavish reverence
and dark satire with equal dynamism.
The film transcends the
superhero genre that gave it life even as it feeds off of it for sustenance. The
result is a sophisticated intersection of heady philosophy, shocking violence
and gratuitous sex.
"Watchmen" is
indubitably the most lavish adaptation of a graphic novel ever made and quite
possibly one of the finest book-to-screen endeavors ever produced.
"Watchmen" is set in
1985 but takes place in a dystopic, alternate history in which conservative
politics dominate, President Richard Nixon has been elected to an unprecedented
fifth term, and the United
States is teetering on the brink of war with the Soviet Union.
It used to be that
cCostume-clad sSuperheroes were once there to keep the peace, but such
vigilantism is now illegal. All the old superheroes have either retired or now
work for the government.
When the Comedian
(Jeffrey Dean Morgan) is murdered and industry tycoon Adrian Veidt, aka
Ozymandias (Matthew Goode), barely escapes an assassination attempt, Rorschach
(Jackie Earle Haley), who's never abided by the government's cease-and-desist
order, decides to investigate. Recruiting some of his old allies - including his
old partner the Nite Owl (Patrick Wilson), Silk Spectre II (Malin Akerman), and
Dr. Manhattan (Billy Crudup), a scientist who, thanks to a radiation accident,
now possesses powers Superman only dreamed of - Rorschach uncovers a diabolical
conspiracy in the last place he ever expected.
"Watchmen" subverts the
superhero archetype completely. To call the protagonists "heroes" is one of the
book/film's primary satirical joke themes. "Watchmen" reveals that those
attracted to the superhero lifestyle are the fringe-skirting aberrational
misfits of society. Some of these men and women are worse than the criminals
they put away. Spray-painted in an dark alleyway is the narrative's prime moral
puzzle: "Who watches the Watchmen?" Who decides what is right and what is wrong?
Who enforces those decisions? And, most important, who polices the policemen?
Not satisfied with
simply deconstructing the human psyche, "Watchmen" also examines what it looks
like if a god were to truly live among us. Rather than devote himself to doing
good, "Watchmen" contends that a superman would have so little in common with us
that he would feel the opposite of empathy - he would look upon this planet as
we might look upon an ant colony. Dr. Manhattan has completely lost touch with
his humanity and no longer cares what happens to Earth. His heightened state has
eradicated his compassion and perhaps even his soul.
When "Watchmen" debuted
in 1986, Time magazine heralded the graphic novel as one of the 20th century's
greatest pieces of literature. It was also deemed utterly unfilmable. Using
superheroes as a framing device within which to write a sweeping philosophical
treatise on the inherent wickedness of humankind, the idealistic impossibilities
of uncompromising moral rectitude, and the abuses of unchecked power, author
Alan Moore created a world as dense as any philosophical text. None of the
intellectual heft of the novel is lost in translation.
That director Zach
Snyder ("300") refused to dumb down the material for a larger audience will
enchant fanboys but may alienate some who just want stylized sex and violence.
("Watchmen" works hard to earn its R-rating. The film is brutally violent,
calculatedly misogynistic and kinkily hypersexual.)
Last year, Warner Bros.
transformed the superhero genre with "The Dark Knight." They've done it again
this year with "Watchmen." Don't be surprised if you feel the need to see the
intensely sensorial experience more than once to take it all in. I walked out of
the theater dying to go right back in and do it all over again. "Watchmen" is
wildly ambitious, a provocative, viscerally spectacular and intoxicatingly
stylized superhero epic that astonishingly delivers intellectually.
Entertainment and intelligence. Might that be called art? Might that be called
art?
WATCHMEN
Cast: Billy Crudup, Patrick Wilson, Jackie Earle Haley, Malin Ackerman
Director: Zack Snyder
Theaters: Hollywood, Tinseltown, Carmike, Cinemark, Chapel Hills
Rated: R (strong graphic violence, sexuality, nudity and language)
Runing time: 2 hours, 43 minutes
GRADE: A






